Henter beholdningsoplysninger.
Detaljer om materialet
Type
Cd (musik)
Format
3 cd'er, 1 kommentarbilag
Genre
kammermusikklassisk musik 1950 ->
Emneord
Klassemærke
78.42
Bidragsydere
Nicholas Angelich, Andrej Baranov, Nathan Braude, Gautier Capuçon, Claude Debussy, Enrico Fagone, Carlo Maria Griguoli, Ilja Gringolts, Eduardo Hubert, Mayu Kishima, Karin Lechner, Alissa Margulis, Jura Margulis, Natalja Margulis, Paul Meyer (f. 1965), Aleksandr Mogilevskij, Akane Sakai, Alessandro Stella, Zoltán Székely, Sergio Tiempo, Giorgia Tomassi, Lilja Zilberstein, Lida Chen, Géza Hosszu-Legocky, Stephen Kovacevich, Aleksandr Vedernikov, Jing Zhao, Radio Svizzera Italianas Orkester Lugano, Johannes Brahms, Robert Schumann, Franz Schubert, Ferdinand Ries, Joaquín Turina, Béla Bartók, Luis Bacalov, Francis Poulenc, Philip Glass, Alberto Ginastera
Indhold
Trio for klaver, violin og horn, Es-dur, opus 40Studien für den Pedal-Flügel, opus 56Variationer for klaver, 4 hænder over eget tema, As-dur, Deutsch 813 (opus 35)Scherzo for violin og klaver, c-mol, WoO 2Trio for klarinet, violoncel og klaver, a-mol, opus 114Kvintet for klaver, violin, viola, violoncel og kontrabasTrio for klaver, violin og violoncel nr. 2, h-mol, opus 76Rumænske folkedanse, Sz 56En blanc et noirPorteñaSonate for 2 klavererLes enfants terribles (Suite)Estancia-suite, opus 8a
Beskrivelse
Live-optagelser, Lugano Festival, Auditorio Stelio Molo og Palazzo dei Congressi, Lugano, Schweiz 10.-27. juni 2015
Forlag
Parlophone RecordsWarner Music Group
Målgruppe
voksenmaterialer
Anmeldelser
Diapason, 2016 juin
"Vurdering: Diapason d'or"
The gramophone, 2016 July
"Argerich plays in only five out of the 13 works recorded. Still, who's complaining, with collaborators like Ilya Gringolts, Alexander Mogilevsky and Lilya Zilberstein?"
BBC music magazine, 2016 October
"Martha Argerich's annual Lugano Festival has inspired a series of recordings that, far from being mere musical mementos, are full of interest. Argerich's natural flair, almost playful technical ease and spontaneity can sometimes get the better of her, but in imposingly engineered performances ... she sounds completely immersed in each work's unique emotional and sound world"