"Strom's first love was classical music and, later, the sound of the '60s. She became a "hell-raising flower child" and went to San Francisco a year after the Summer Of Love. She fell under the sway of kosmische music, from Tangerine Dream to Kitaro, and soon acquired a synthesizer and four-track recorder ... Trans-Millenia Music presents Strom as a singular artist. She wasn't trying to lull her listeners into a relaxed state so much as transport them somewhere else entirely"