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Detaljer om materialet
Type
Cd (musik)
Format
1 cd, hybrid SACD, 1 kommentarbilag
Genre
klaver solo
Emneord
Klassemærke
78.53
Bidragsydere
Indhold
Lied ohne Worte nr. 25, G-dur, opus 62:1Lied ohne Worte nr. 26, B-dur, opus 62:2Lied ohne Worte nr. 27, e-mol, opus 62:3Lied ohne Worte nr. 28, G-dur, opus 62:4Lied ohne Worte nr. 29, a-mol, opus 62:5Lied ohne Worte nr. 30, A-dur, opus 62:6Lied ohne Worte nr. 31, Es-dur, opus 67:1Lied ohne Worte nr. 32, fis-mol, opus 67:2Lied ohne Worte nr. 33, B-dur, opus 67:3Lied ohne Worte nr. 34, C-dur, opus 67:4Lied ohne Worte nr. 35, h-mol, opus 67:5Lied ohne Worte nr. 36, E-dur, opus 67:6Lied ohne Worte nr. 37, F-dur, opus 85:1Lied ohne Worte nr. 38, a-mol, opus 85:2Lied ohne Worte nr. 39, Es-dur, opus 85:3Lied ohne Worte nr. 40, D-dur, opus 85:4Lied ohne Worte nr. 41, A-dur, opus 85:5Lied ohne Worte nr. 42, B-dur, opus 85:6Lied ohne Worte nr. 43, e-mol, opus 102:1Lied ohne Worte nr. 44, D-dur, opus 102:2Lied ohne Worte nr. 45, C-dur, opus 102:3Lied ohne Worte nr. 46, g-mol, opus 102:4Lied ohne Worte nr. 47, A-dur, opus 102:5Lied ohne Worte nr. 48, C-dur, opus 102:6Lied ohne Worte, A-dur, 1837Lied ohne Worte, F-dur, 1841Lied ohne Worte, D-dur, 1843Lied ohne Worte, d-mol, 1844-1846Lied ohne Worte, Es-durKinderstück, Es-dur, opus 72:2Kinderstück, G-dur, opus 72:3Kinderstück, D-dur, opus 72:4Kinderstück, g-mol, opus 72:5Kinderstück, F-dur, opus 72:6Andante for klaver, Es-dur, 1842Sostenuto for klaver, F-dur, 1842
Beskrivelse
Indspillet i Österåker Kirke, Sverige 2014
Forlag
BIS Records
Målgruppe
voksenmaterialer
Anmeldelser
BBC music magazine, 2016 October
"Oh dear. Like not a few of his colleagues, he seems to regard solo performance, freed of tiresome discipline of metrical regularity, to be a licence to play fast and loose with rhythms and note lengths. After four of the 37 tracks on this disc I really can't take any more"
The gramophone, 2016 July
"It is fascinating to hear such familiar music music as Mendelssohn himself might have heard it. That said, I maintain that more than 73 minutes of works never intended to be heard in such a sequence is not the best way to appreciate his genius"